Adrien does not see eye to eye with his patrician father about much. It is 1912, and the old man still believes in the old rules which strait-jacket "men of class." He believes that the elite have the right to conquer where they can, that they should refrain from publicizing their improprieties, and he is rabidly pro-military. Adrian, kicked out of his military school for his own improprieties (and hiding that from his father), is naturally drawn to Vicky a beautiful divorced woman and friend of the family who is staying at their mansion. The family tutor, a man of ordinary background (with some ideas which seem radical in this household) is similarly smitten. On the basis of their shared attraction, the two men form a friendship. Meanwhile, the object of their affection finds it diverting to toy with them.

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At the end of the 1950s, four humor specialists simultaneously experienced recognition. Fernandel with “The Cow and the Prisoner”, Bourvil with “The Hunchback”, Jacques Tati with “My Uncle” and Louis de Funès with “Oscar” at the theater. On the big screen or on stage, each of these artists has a unique style of humor. They are the kings of French comedy. But how did they manage to become true box office champions? How did they experience their immense popularity? How do they still influence the comedy genre? And above all, are- are they funny in life? Where is the line between their character in the cinema and their real personality?

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Filmed 5 and 6 November 2020. Argan, suffering from hypochondria, decides to marry his daughter to a young doctor... The troupe of the Comédie-Française, led by Guillaume Gallienne and Bruno Podalydès, excels in this comedy-ballet, which is both a satirical farce and a reflection on death. The direction by Claude Stratz and the original music by Marc-Olivier Dupin breathe new life into this classic by Molière.

This fairy tale, based on a story by Oscar Wilde, begins on a stormy night when a woodcutter named Gordon finds a newborn baby in the forest. He names him Orion—child of the stars—and takes him home. Orion (played as an adult by J. Laštovka) grows up to be a very handsome boy, but unfortunately also conceited and cruel. One day, a beggar woman appears at the woodcutter's house and recognizes Orion as her lost son. Orion, who believes he is the child of a star, insults her badly and drives her away. Immediately, his face changes into a ridiculous and ugly one. After ten years of wandering, during which he learns many things, Orion falls into the power of an evil wizard who has a task for him. Completing this task will help the wizard rule the whole world. Orion must overcome evil spells and regain not only his beautiful face and pure soul, but also the love of his mother, whom he once proudly drove away.

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A young waiter named Michal gets into trouble when he is robbed of his daily takings, which he was supposed to deliver to the bank. He's on probation, so it's clear that no one trusts him. So he asks for help from a friend, Tomáš, a taxi driver, who borrows from Adamec, a dangerous bellhop. By chance, the two friends manage to find out that his colleague Kadlec and his son-in-law, garage keeper Bures, who is a stolen car dealer, are involved in Michal's robbery. With the help of Michal's girlfriend Magda, they devise a scam to punish the extortionist boss and hand over the two seemingly blameless scoundrels Kadlec and Bures to the police with the evidence.